Embarking on the endeavor of composing a letter, aiming to unravel the profound layers of our inner selves. Lettere stands as a collection of four repurposed digital images, representing an ongoing exploration of the anima. This journey is intricately tied to the challenge faced by men in understanding and connecting with the evolving feminine aspect within themselves—a challenge that inevitably surfaces at various junctures in their life’s journey. This exploration involves a deliberate exercise in active imagination, challenging and transcending the conventional notion of the male gaze as an ego-driven act of objectification.
In Lettere, the creative process becomes a profound reflection on the intricate dance between the masculine and feminine within, offering an alternative narrative that goes against the standard grain of the male gaze. Instead of perpetuating an abusing ego, these reimagined images foster a more empathetic and nuanced connection with the feminine, shedding light on its multifaceted nature. The photographic canvas undergoes a metamorphosis, transforming the ordinary into captivating visual narratives that mirror the complexities of the inner self.
In essence, Lettere becomes a testament to the transformative power of artistic expression, challenging preconceptions and fostering a rich tapestry of visual storytelling that celebrates the harmonious interplay of diverse aspects within the human psyche.
The La Metro series unfolds with three found photographs that have undergone reinterpretation, inspired by the dynamic interplay of graphical spatial movement. This concept seamlessly evolves into a dynamic form of action painting, characterised by a spontaneous and improvisational process.
Within this creative journey, there exists a nuanced interplay between the painted elements and the central figures within the found photographs, considering aspects such as colour, stroke thickness, and overall colour contrasts. The outcome is a harmonious convergence, giving rise to a balanced and captivating sense of movement.
In the exploration of this artistic odyssey, a fusion of intuition and deliberate choices results in an intricate dance of visual elements that captivates the observer. This narrative transcends the confines of the conventional male gaze, introducing the concept of a “new diva” that celebrates a profound understanding of the feminine spirit.
Two of the images boldly portray a nude figure, capturing the essence of vulnerability and authenticity. This choice is intentional, presenting a raw and unfiltered representation that allows the viewer to connect with the unadorned beauty of the human form. In contrast, the third image features a woman adorned in a black top against a sun-bright yellow background. This deliberate juxtaposition creates a powerful visual contrast, symbolising the interplay between light and shadow, strength and vulnerability.
The La Metro series strategically emphasises the empowerment and celebration of the feminine spirit, crafting a narrative that transcends traditional aesthetics to embrace a fresh and captivating perspective. The carefully selected wardrobe and background choices serve as deliberate expressions of the multifaceted nature of the “new diva” concept, highlighting both resilience and grace within the visual narrative.
In this vector artwork, an anonymous woman is depicted wearing a bathrobe, creating a captivating scene that conveys a sense of personal relaxation and intimacy. The bathrobe symbolizes comfort and hints at a private environment where the subject can truly unwind and embrace her solitude.
The artwork notably draws attention to the woman’s cleavage in a discreet and captivating manner, effectively emphasizing her femininity and allure. This particular element adds a subtle hint of sensuality and confidence, thereby imbuing the composition with an enchanting charm.
In her left hand, the woman holds or pulls a red string, which carries profound symbolism. The red string references the concept of the Red String of Fate, originating from Chinese folklore. According to this belief, individuals destined to meet are connected by an invisible red string, transcending time, place, and circumstances. By incorporating this symbol, the artwork delves into the notion of fate and explores the profound connections that can emerge between people.
Another intriguing detail in the artwork is the presence of a black hairband encircling the woman’s left hand. This subtle yet captivating addition suggests that the subject is in the process of tying her hair, adding an extra layer of sensuality to the scene. The inclusion of the hairband hints at an imminent transformation or preparation for a more intimate moment.
The juxtaposition between the woman’s hand holding the red string and the presence of the hairband creates a captivating dynamic. It symbolizes a duality between the connection represented by the Red String of Fate and the personal act of tending to one’s appearance.
Crafted using vector art techniques, the artwork employs precise mathematical equations and points to achieve clean lines, sharp edges, and a visually striking composition. Vibrant colors are utilized to enhance the overall impact, lending depth and dimension to the artwork.
This work was the very end of the Kobba creative phase but was left out of the final curated set. In line with the concept behind Kobba, it raises questions about permanence, stability and the profound possibilities that lie within the connections we forge with ourselves and others.
Portrait of Jason is a commissioned portrait of Jason Micallef of Mosta, chairman of the Valletta 2018 Foundation. The artwork was commissioned as a collective Christmas gift by a number of employees at the Foundation in 2017.
Portrait of Catherine is a commissioned portrait of Catherine Tabone of Zejtun, executive director of the Valletta 2018 Foundation. The artwork was commissioned as a collective Christmas gift by a number of employees at the Foundation in 2017.
The work involved working through digital collage, brush work and editing as shown in an experimental portrait that was documented in the process.
A portrait of Giuliana (2017)
This work was initially part of the Kobba creative phase but was left out of the final collection.
In line with the Kobba theme, this artwork focuses on a connecting red thread being stamped upon by the figure in subject. The helpless viewer in close proximity watches over, questions and contemplates this gesture in a state of drunkenness.
The title of the work refers to a song by Diodato.
This was part of an initiative by 24 Art Collective – an improvised collective of designers, photographers, illustrators and typographers who joined efforts and created limited edition artworks in reaction to the earthquake at Acumuli and Amatrice (IT) that took place on August 24, 2016. All proceeds from the sales of these prints were meant to go towards a fund set up by SOS Malta for the areas affected, yet the project took long to be launched and eventually dissolved. Any sales of this artwork will still be donated to SOS Malta.
Anemone symbolizes the grief around Acumuli and Amatrice as these two communities cried the deaths of around 290 people. Hope is here depicted as a nude female who rests on solid structure, whilst stepping on the crevasse of the 24/08 earthquake. Adorning her hair is an Anemone flower; which is also a metaphor of excitement for a prosperous future and the arrival of the first spring winds.
A commissioned portrait of Marouska Farrugia.
